Wednesday, June 22, 2011

Northern Exposure, Part I: Who Was that Masked Man?

Not long after my jaunt to St. John’s, Canada, to help sell the Canadian Association of Chiefs of Police (CACP) on the idea of financially backing a line of customized, Spider-Man, PSA—Public Service Announcement—comic books to educate the country’s youth on the evils of drugs, cigarettes and alcohol; the safety of bicycle helmets; and other important issues (see “Chill St. John’s,” Parts I and II), I was appointed to participate in a whirlwind, five-day, four-city, cross-country press tour to officially announce the program to the Canadian populace and unveil the cover to the first book in the series.

The million-dollar–plus joint program, with the Alliance for a Drug-Free Canada and Health and Welfare Canada, kicked off on December 3, 1990 in Toronto, and the schedule was unforgiving. An early-morning press event kicked off each day—in the case of Toronto, there were two such dog-and-pony shows, one on the heels of the other—at the completion of which I was rushed to the airport to catch a flight to the next city for the following morning’s media circus act.

In the penultimate city, a visit to the local children’s hospital was scheduled. At that point in the tour, when the subsequent and climactic jaunt was a mere ferry ride away, my stops became less like that of a convict on the lam and more like that of a visiting foreign dignitary, which was not too far from the truth, albeit without the motorcades and bodyguards. Then it was back on a plane to Toronto.

I’m knackered just remembering the whole affair.

I agreed to spend the Friday night prior to the Saturday kick-off at the home of the visionary behind the program, Eric. Even given the brief time we’d worked together in St. John’s, we’d formed a strong friendship. Of course, spending time with a man’s scantily clad wife will do that (I told you to see “Chill St. John’s,” Part I and II!). Come to think of it, staging an accidental encounter with one’s lovely wife in sexy lingerie is a clever way to guarantee fealty in a potential colleague. Even the purest of souls would be drawn to work with the temptress’s hubby, even if only on a subconscious level. And when I think of some of the stunts for which Eric “volunteered” me in the ensuing years in which I gladly participated… Hmm…

This photo of Fiona—The Scottish Lady, as Eric so fondly calls her—was taken recently and sent to me by Eric with the express purpose of using them... AND with Fiona’s blessing!

Eric lived in Scarborough, Ontario, a suburb of Toronto, in the sort of picturesque, wood-shrouded, warm and inviting dwelling one might find in a Frost poem or Currier & Ives print. My lodgings were not in the main house, but above the oversized two-car garage; a cozy apartment with pull-out couch, entertainment center, log-burning stove and bathroom with walk-in shower. It would prove to be my home-away-from-home on many a Canadian adventure to follow.

It wasn’t especially unusual for Marvel’s Personal Appearance performers to stay at the home of a sponsor. Most of the actors who’d built a rapport with certain clients held no qualms about doing so. It proved to be a symbiotic relationship: The graciousness of the actor guaranteed their getting the job and defrayed the appearance’s cost, which in turn helped make it possible for the client to book the gig in the first place. Since Eric would be joining me throughout our grand cross-continental trip, the move also ensured our mutual arrival at the appointed time and location of the opening ceremonies.

Also accompanying us would be Eric’s thirteen-year-old son, Peter. While his father was wracking his brains to come up with a surefire method to reach kids and thus nail the account, Peter innocently said, “Why don’t you use Spider-Man?” Ah, from the mouths of babes. I can almost hear the angel chorus and see the ray of light that cast down upon Eric as the epiphany struck him and the entire program fell into place.

Eric’s son, Peter, the mastermind behind the CACP Spider-Man comic program

Although the tour would be taking place the first week in December, the idea of snowfall during the affair never occurred to me. Whilst growing up in Boston, snow was rare that early in the season. Cold? Certainly. The frigid temps descended in October, just in time to ruin one’s Halloween costume by the forced wearing of a snorkel jacket by an overly-concerned mother. Had I been more astute, I would’ve embraced the moment and gone out as an Inuit with the family Siberian Husky towing me around the neighborhood on my Radio Flyer. As for the chill, what need I worry? No one would be silly enough to schedule a press event outside in December, not even a Canuck.

You’d think I’d learn…

As it turned out, the press part of the Toronto leg was scheduled to follow a grand announcement in Nathan Phillips Square located directly in front of City Hall. So much for not having to worry about the cold. As for snow—hah! Brisk it may have been, but the skies were clear and the sun was shining. It was the type of crisp autumn day where everything appears more clearly defined, like an animated cell atop a painted background.

Still, the temp would be a problem. Spandex offers little in the way of insulation and seeing as this was a city government event, complete with the mayor or Burgermeister or whatever it is Canucks have, and a retinue of Mounties, I held little hope of it ending before I suffered hypothermia and my wobbly bits had contracted and hardened into colorful agates. It didn’t help that my hosts kept asking me if I was going to be warm enough in the suit. No, I would not, thank you very much. Maybe you shouldn’t schedule outdoor events in December. Canada isn’t exactly an equatorial country, y’know! Of course by the look of the lightweight jackets and loose-fitting attire of the locals, one would never have guessed it was literally freezing.

Fortunately, a member of my posse offered me a sweatshirt, a promotional gew-gaw of a recent city-sponsored event—“Take a moose to work day” or some such—with a garish design of fluorescent pink, yellow and lime-green on a stark white canvas that clashed with the classic Spider-Man palette. I was loathe to wear anything, but had little choice. Perhaps sensing my concern—more likely seeing what a dodo I looked like in the sweatshirt—my police escort offered me his jacket as I made my way from the office in which I donned the red-and-blue and to the building’s lobby where I would await my cue. Since the CACP was a major part of the campaign, it made perfect sense for Spidey to show his allegiance by wearing a police officer’s coat. Gone or ignored by me during all this were the overheard snippets of conversation among my entourage; worrying smidgens of “a fast-approaching blizzard” and “record snowfall.” Must be talking about some other part of Canada; there isn’t a cloud in the sky.

While the mayor did the whole suck-up-to-his-constituents thing, I hid just inside the building behind one of the towering, floor-to-ceiling columns that dotted the lobby, to ensure the optimal amount of delighted surprise in the audience when I appeared, which wasn’t easy. The entry was surrounded on three sides—including the doors—by glass. Any bored attendees, who decided to take a walk-about would see me in a flash. And given the endless drone of each successive government official, the odds of that possibility happening increased with each brown-nosed introduction to the next Mucky-Muck on the agenda.

You’d think I’d be worrying about my speech—not that I had one. I was once again left to my own devices. My hosts seemed unconcerned, probably believing I was prepared ahead of time. And Eric was AWOL. He left me to ensure the press event afterward was set up properly. I could have declared war, done my best Dudley Do-Rite impersonation or started yodeling “When I’m calling you-oo-oo-oo…” like Nelson Eddy. It was a testament to Eric’s trust in me that he didn’t fret over what I would say. He was assured from my behavior in St, John’s that I’d be fine. And he knew the power of the costume would forgive any faux pas I might make.

Finally, I was introduced. I bounded out the front doors through the gathering throngs of reporters, TV crews, government Nabobs and confused tourists, and ascended the platform on which the speeches were conducted. After giving generous thanks to my hosts, followed by the prerequisite opening joke about swinging to Canada—“I thought I was going to be late. Once I left Manhattan, I ran out of things to swing from, so I had to hop on a bus!”—to loosen/wake up the crowd, I spoke a few words on what an honor it was to be a part of helping my Canadian fans and how I looked forward to meeting them on my journey across their beautiful country. It was succinct and genuine, and would make for a nice spot on the evening news cast in that slot after the tragedies, killings, burglaries, latest celebrity meltdown—you know, the feel-good stuff—and before the sports and weather, only if such “cheery” events were few and there wasn’t some sort of weather calamity, like, say, a massive blizzard!

I was soon back in the warmth of City Hall changing into my civvies so as not to be late for the second stage of the kick-off. The press conference took place a few blocks away at a local restaurant called the Organ Grinder, the décor and fare of which could have passed for any TGI Friday’s—now simply Friday’s. In the short time it took me to put my clothes back on and leave City Hall, the sky had turned a disheartening gray. As I entered the eatery, mere moments later, downy flakes the size of tea bags had begun to fall. Still, though my optimism wavered, I was confident there wouldn’t be a problem in the few hours until I’d be on a plane whisking off to Winnipeg for Stage II of the tour. How bad could it get?

(Cue ominous music…)

The restaurant had suspended its afternoon service—Gasp! Where will we get our Illchester cheese-covered, honey-glazed sweet potato fries?!—and closed to the public. Unlike the ubiquitous Friday’s, the Organ Grinder had offered live entertainment. How else to explain the stage at one end of the dining room. The cabaret-style tables were cleared of any dishes, silverware, condiments or specialties signage, leaving nought but a white tablecloth and the chairs. Management hadn’t even bothered to move them to one side, perhaps to more quickly prepare for dinner service once the conference was finished. The room was unlit, save for the stage, which was awash with intense lighting.

Unlike the endless political falderal in front of City Hall, Eric’s presentation was economic, steering quickly to the razzle dazzle of Spider-Man. Unbeknownst to yours truly, Eric had arranged for a group of young children to be present. It was a stroke of genius. Any doubt the muckrakers may have had about the efficacy or cost of the program disappeared the moment I leapt into the room. The children were aflutter with excitement; ubiquitous utterings of “’pider-Man,” delivered in a precocious timber that could melt the heart of the Marquis de Sade, filled the room.

Eric explains the CACP Spider-Man promotion and why it was abruptly cut short after only five of the ten proposed custom comics was produced on his own blog, Drone On.

There were more flashes than at a Brittany Spears sighting—Whew! Glad I (ahem) shaved!—when I made my surprise entrance, making the restaurant seem like Studio 54. The presence of the Web-Slingers wee fans made for excellent camera fodder. I swear I could hear the shutterbugs slavering for a chance to shoot me with the children. To them, a pic of Spider-Man with adorable young ’uns was the next best thing to a dead body. Plus, it would temporarily assuage those annoying goody two-shoes constantly descrying the abundance of feel-bad stories and photos in the paper. I’m sure there were more than a few thinking the presence of a corpse would make the ultimate trifecta. Oh well, there go the Closet fans I had from the media.

Ah, yes, my friends the media. To be fair most were “fair and balanced” with their reporting on Spider-Man’s activities. And this was true wherever my adventures took me, The U.S., Canada and England alike. But it was the occasional smarmy one that soured the whole bunch; those handful of would-be Walter Winchells who were never satisfied with the story set before them, ever digging for an iota of underlying dirt around which they could twist a report into sensationalism. Most commonly, these flibbertigibbits sought the secret identity of the man behind the webbed mask.

“So who are you,” the enterprising reporter would ask.

“Spider-Man… You know? Superhero, savior of the world, idol of millions… You really need to get out more.” I’d reply with more than a hint of “What are you, an idiot?” in my voice. If the reporter was daring enough to query before his colleagues, I might add “Perhaps one of you could fill him in later. He obviously didn’t get the memo;” always sure to evoke a hearty guffaw and certain to put an abrupt halt to the hapless victim’s line of inquiry, until such time they could corner me by themselves.

“No, who are you really?” They’d continue unfazed, if they did happen to confront me mano a mano, in such a tone as to suggest that I didn’t understand the question.

“I can’t tell you that. I have a secret identity to uphold,” I’d answer. “You must work for the Daily Bugle. Did J. Jonah Jameson send you up here?”

“So you’re not going to tell me…” I’m not sure if this disheartened coda to their fruitless interrogation was meant to guilt me into revelation or simply ease their own conscience into accepting defeat. Either way it was pathetic.

“Sorry; no can do. I’ve got loved ones to protect,” or some such I’d say, before leaping away.

At the Organ Grinder, as I left the stage to confront the media, I beelined it to the table on which a giant replica of the first issue cover of the CACP’s Spider-Man comic program was displayed and perched onto a smaller table abutted against it. I wanted to ensure that any photo-taking or videotaping highlighted the cover, thus emphasizing the reason ye olde Web-Spinner was in Canada, even though many of the resulting questions may not pertain to it. I also tried to steer my answers to the program. I was not asked to do this by the Marvel hierarchy or Eric, and maybe other Spideys might have simply taken questions from the stage and kept their replies pithy and comic-centric.

Marvel’s PR department frowned on the characters making unscripted statements—outside of those relegated to the world of the heroes—to the press. And I would have gotten paid regardless. But I’d seen the press release and wasn’t arrogant or stupid enough to take the intricacies of the program entirely in my hands. Any questions that delved deeper than what was on the hand-outs, I directed to the pertinent parties, usually a member of the CACP. I gotta say it was refreshing making appearances knowing an entire nation’s police force had my back!

After the initial barrage of questioning, the media blockade surrounding me broke up and I was left—finally—to mingle with my wee fans, who stood in earnest on the ring’s outskirts, like the children outside the gates of Willie Wonka’s factory watching the lucky few with golden tickets meet the Master Chocolatier.

One such Cindy Lou Who, who was probably more than two, but still getting used to the whole walking-on-two-legs thing, waited trepidatiously while her peers rushed in with high-fives and handshakes. Seeing her brethren come out of the moment unscathed bolstered her nerves enough that she began to slowly approach on unsteady feet. I held out my hand at arms length and coaxed her soothingly. Time stood still as she painstakingly reached out.

Suddenly, my small admirer was side-swiped by the intrusive leg of a rampaging reporter, barreling around the tables to get his chance at a Pulitzer by confronting Spider-Man one-on-one. The little lass kerplopped on her fanny, more surprised than hurt, and the pioneering muckraker delivered a curt, dismissive, “’Scuse me, sweetie,” with the barest of head swivels in her direction, before turning back to me.

I was appalled and fuming, but retained my composure—at least outside the mask. I wanted to throw the reporter on his ass and deliver a meaningless apology, while rushing to the girl’s aid, but I know doing so would be put a damper on the festivities—to say the least—make Spider-Man persona non grata in Canada and severely damage, if not shatter, the CACP’s cause. And it would most certainly freak out the child. She had barely gotten up the courage to touch the Web-Crawler’s outstretched hand. Imagine how she’d react if I jumped forward to help. From her POV, it would be nightmarish. Her mien was that of a child who falls and hasn’t yet decided whether to start screaming or not. I was not about to push her over the edge and force her into years of therapy.

I did the only thing I could think of. As soon as he began to utter his first question, I cut him off with a flippant, “Oops! Spider-Senses tingling… Gotta go!” and bound away from the blighter. I certainly wasn’t going to give him the satisfaction of an interview. I little feared the possibility of a missed quote. There would be coverage aplenty without this Cretan’s input.

And how misguided of the reporter. The story was directly in front of him. After years of the CACP and government agencies looking for an effective way to teach children and teens about the ramifications of drug-use and other social concerns, this moment of a youngster reaching out to the country’s new vehicle in championing these important causes exemplified the power of the program and spoke volumes to its subsequent efficacy. The dolt probably had to use a dictionary to spell journalistic integrity.

At some point during the dog-and-pony show—Yours Truly being both dog and pony—I noticed that someone had replaced the view outside the large picture window with a white sheet. It caught my eye because of the way the restaurant’s name—emblazoned in garish colors and appropriate circus font—suddenly took on the characteristics of something out of a gallery showing of famous contemporary American artist, Ed Ruscha. A prominent collection of words against a stark background, no longer fighting the animated view of the world beyond the pane.

As I cheated closer during the interview process with the media, I saw to my horror that what was a beautiful, crisp, sunny, though chilly, day only a few hours earlier had transformed into a raging blizzard! The cars parked in front of the building had already become amorphous blobs of snow; the streets were deserted, save for the occasional vehicle crawling slowly through the two-foot–high accumulation; and I could barely see the buildings across the way. I half-expected Yukon Cornelius to come bursting through the front doors at any moment crying “Ain’t a fit night for man nor beast!” And like Santa, I had a flight to catch, only without a reindeer with a mutant illuminated nose to lead the way! But this is Canada. This is their definition of a light dusting, I kept trying to convince myself as the snow was noticeably rising before my eyes in the seconds it took me to ruminate on the matter!

And the time was nigh; nigher than originally planned. Eric sidled up beside me to report that the blizzard was expected to get exponentially worse with every passing moment and I had to leave now in order to get on the one flight that was scheduled to leave for Winnipeg before the airport shut down. The small NBA gym bag containing my civvies had already been moved to a police car awaiting me in front of the restaurant. I had less than an hour to make the forty-minute trek from downtown Toronto to the airport in a snowstorm that would make the Winter Warlock—keeping to the Rankin-Bass theme—call in sick.

But what about my luggage? I asked. There’d be no time to retrieve and transport it. Neither my single piece—a larger over-the-shoulder carry-on—nor Eric or his son would be going to Winnipeg with me as planned. The next morning’s press conference would be marshaled by Winnipeg Police Chief Herb Stephen, who would be a the lone person accompanying me from Toronto, and Yours Truly. My luggage would be directed straight to Vancouver, where I’d reconnect with Eric and Peter. I’d have nothing with me, but literally the clothes on my back and a Spider-Man costume!

Eric and several officer’s hustled me out of the Organ Grinder like Justin Bieber being escorted out of a mall concert. For a split second I became the Flash, as I bolted from the front doors of the restaurant to the police cruiser, diving into the back seat where my gym bag sat waiting. Had I slipped or my handlers not opened the door beforehand, I would have risked frostbite. Blessedly, my driver had cranked up the heat in advance. I waited until the vehicle had moved away from the building before shedding the red-and-blues and putting on my clothes. Not that anyone would have seen anything had I not delayed my changing. The visibility was so bad I could have mooned the picture window of the Organ Grinder, slapped my hairy ass right up against the backseat window, and no one within would have noticed.

Herb Stephen sat shotgun as the cruiser navigated through the storm. Miraculously, we arrived at the airline entrance. I wanted to kiss the driver, but there was no time, as the Chief and I were hurried through the terminal to the gate and onto the plane. It was surreal. I felt like John Cusack in 2012, decades before he made his fateful escape in the movie. The flight was packed. There was no ambiguity where our seats were—the only aisle and window seat unoccupied—as we entered the cabin. Dozens of faces stared at us, various expressions of frustration and relief mixed with more than a dash of curiosity.


It was then that I realized what a provocative portrait Chief Stephen and I made. We weren’t just a young man and older adult arriving late for a flight. Stephen was in full police regalia. I was a sight in my disheveled, hastily-donned-in-the-back-of-a-car civvies, matted-down-from-hours-in-a-Spider-Man-suit hair, and my drawn, exhausted mien, carrying a wee Leprechaun-green gym bag. Goodness knows how long the flight was delayed waiting for us. And we were obviously traveling together, having arrived in tandem and taking seats beside each other. Passengers probably thought I was an undercover cop or, more likely, a felon being returned to Winnipeg to face my crimes. Regardless, I was a person of import.

Suddenly, my impossible flight to Newfoundland in the back of a cargo plane a few months previous (see “Chill—”, aw, never mind!) made sense. I had the entire police force of Canada—and its political power—watching over me. There was no way I was not going to get to St. John’s that night. If they had to pull George Kennedy out of retirement (Honorary ten loonies to any of my Faithful Bloglodytes who get that reference) and have him pilot the Spruce Goose, they would have made it so. That evening in Toronto, the lives of a few score people didn’t amount to a hill of beans compared to getting Spider-Man to Winnipeg. And Mother Nature be damned, as well!

Me? Given the circumstance, I would rather have walked. Ours was the only flight scheduled for take-off. And from the appearance of the tarmac, which looked more inhospitable, desolate and perma-frosted than the ice planet of Hoth, I’d say there hadn’t been much activity for hours. At least, I wouldn’t have to be kept warm in the body of a recently-deceased Tauntaun (They’ll be a quiz in the morning). Was I the only one who didn’t think it was a good idea to be taking off in this mess?!!

NEXT: Go west, young Spider-Man!

Wednesday, June 15, 2011

Swimming with Turtles

You lookin’ at me?

On a recent expedition to our favorite vacation spot, Maui, the Wondrous One and I stumbled upon a secluded cove filled with sea turtles. I guess “stumbled upon” is a tad ingenuous. I had only just emerged from the lovely waters of Napili Bay and had still a few drips left in my trunks, when I heard a woman seated no more than a half dozen feet from us speaking to what was obviously her husband, approaching from behind.

“Did you see anything?” she asked, as the man came into view.

Vroom! stalking the elusive Chelonioidea

Before his response, my ears perked up. My latest snorkeling venture had gone unfulfilled. Sure, there were colorful fish aplenty of all shapes and sizes, but I was on the hunt for sea turtles. As he was coming from the direction of the water as I had, with snorkel and fins in tow, I was eager to hear if he’d had any luck.

“Unbelievable,” he replied. “They were everywhere.”

My body shot up like a meerkat’s. “What’d you see?” I asked.

Snorkelers, as with any hobbyists, love nothing more than to share their latest successes and failures concerning such. If this were a comic book store, my question would be no more rude than my asking the subject of the exciting storyline I’d overheard two other fans discussing. Plus, the best way to learn of the unique and amazing things while on vacation is to keeps your ears open and your mouth even more so.

Every travel advisor or guide, and most websites, are going to list the same ubiquitous “hot” spots, whether they be eateries, attractions, hiking trails or, as in this case, snorkeling and dive areas. But to find those things off the beaten path, you should never shy from asking the locals and other tourists. They’re the best way to separate the wheat from the chaff when it comes to find the real “bests” of a place.

“Turtles,” my friendly fellow snorkeler happily replied. “Dozens of them.”

He then went on to tell me that there was a secluded cove a short walk away teeming with terrapins. As he pointed in the direction I should take, he stopped himself.

“Why don’t I show you?” he said.

Auditions for Yertle the Turtle: The Musical

Jim, whose name as I eventually discovered, in the way a stranger’s name is sometimes not nearly as important as the reasons you began to talk in the first place. Only much later—usually when parting—do you realize the social faux pas, awkwardly shaking hands and exchanging pleasantries before bidding adieu. Anyway, Jim led me along a path that emerged from the rocks book-ending the left side of the beach. Five minutes later I was sitting on a rock, overhanging the ocean in a natural cul-de-sac and makeshift body-launch, donning my fins and mask.

Zzzzzz...

My heart pounded with excitement. Sure, I’d swum with sea turtles many times before. My success rate in tracking down the marine mammals was pretty good when it came to snorkeling along the coast of Maui. Usually my aquatic adventures included the triumphant discovery and subsequent joyful observation of these wonders of the deep. But Jim was talking about a bounteous harvest of the delightful creatures; not simply an area where there had been sightings—as if a there’d be a TURTLE XING sign posted had this been on terra firma—but rather a terrapin tenement complex, as it were.

Houston, this is Greenback fine-niner requesting permission to land... over...

I had barely turned the corner out of this oceanic cavity when I spotted one… then another… and another! The place was crawling with them. I stopped count at sixteen. And like Merv Griffin’s “lovely bunch of coconuts,” there were “big ones, small, ones, some as big as your head and bigger!” A veritable smorgasbord of sea turtles, all in various stages of doing whatever it is that sea turtles do. Which isn’t much, mostly periodically wriggling from their underwater parking spaces, ascending, then poking their heads through the water’s surface to grab gulps of air before diving back to their spots, wedging themselves under and within nooks and crannies, in and under reefs and rocks.

Beep... beep... beep... beep...

And it isn’t as if these deep-sea Gameras are reaching incredible speeds. In a race, Tim Conway’s Old Man character from The Carol Burnett Show would win by a mile. Still, there is something calming and mesmerizing to their movements, like a slow-motion underwater ballet or the animal kingdom’s answer to mankind’s Lava Lamp, the turtles serving the role of amorphous globs that slowly rise to the peak of the glass container, only to descend once again. And to be amid so many was transcendental.

Hence the term: Wondrous One!

Upon my return to our blankets, where the Wondrous Audrey had decided to continue to bask in the sun’s warming rays while I went on my quest, I was giddy as a school girl who’d just had the hunkiest boy in class say “hi” to me. I babbled excitedly, using every superlative in my vocabulary; then going back and spouting hyphenated combos; only to descend to puerile elisions, like “phenominastic,” “stupendiferous” and the regrettable “unbelievalicious.” In Harlan Ellison’s name, I pray forgiveness.

Escaping the dreaded turtl-razzi

I averred to buy an underwater disposable camera and return upon the morrow to capture my Chelonioidea Shangra-La on film. Now, I hadn’t used one of these nigh-useless devices since my and the Wondrous One’s wedding many years prior. If you’re lucky you’ll achieve a ten percent success rate. The main problem is that there’s no definitive way to aim the camera—no screen that shows you what’s in the frame—so you basically point it at what you hope to take a picture of and pray. The result is most often a fuzzy blob of bluish-green, as if painted by a watercolorist who didn’t wait for the colors to dry between applications.

And capturing anything moving, even something as slow as a sea turtle, is as impossible as catching a fly with a pair of chopsticks (with respect to Mr. Miyagi). The things don’t work past a depth of ten feet, either. So even if you’re fortunate enough to frame the object of your desire, it’s like taking a picture of the performer at a concert from the Bob Eucker seats. But I hoped that technology had improved upon the design and I’d have better luck than in the past.

Barnacle? What barnacle?

Thus, on the way to the beach the next morning, I detoured to Boss Frog’s, the emporium for all things adventurous on the isles of Hawaii. Boss Frog’s is where Wondrous Audrey and I rent our fins—we have our own snorkels, but you can rent those, too—every time we come to Maui. They have numerous locations on the island, ideal for picking up any last-minute accouterments you may need or forgot to bring when leaving the hotel. The store on the Lower Honoapiilani Road in Kahana is the one we frequent.

The store’s Road-to-Hana tape—it was a cassette, when we used it on our honeymoon; I’m sure they have CDs now—was excellent. We bumped into others on the notorious Road—at gas pumps and such—and discovered in talking about the plethora of sights, to which we were directed by the informative Boss Frog’s tape, that other such travelogues were far inferior.

Scuba and the Gang’s Mystery Machine

And I always found the staff at Boss Frog’s to be informative and as far from unctuous salesmen as you can get while still being in retail. The workforce are all adventurers themselves, and as I mentioned above about hobbyists, they just want to share their knowledge and secrets as to what is cool on their turf. Such was the case with the camera.

“Do you sell those underwater disposable cameras,” I asked uncertainly. There was a time when they smothered the shelves, but I hadn’t seen them in years.

“Well… yeah,” came the answer, in the way a purveyor of a homemade ice cream stand would reply to someone who asked if he carried a nonfat variety.

Okay, now just a tad to the right... up a little... Ah, yeah, that’s it...

He led me to a distant shelf and pointed out the lonely pair sitting there. “They’re $21.99,” he continued in the what’s-the-point inflection he’d pioneered only moments before. “But we have one you can rent for $25.00 a day, $10 a day thereafter… and it has video.” (They also offer a $50 weekly rate.)

My ears went up and my head cocked, like a dog that had just been asked if it wanted a cookie. I swear I grunted as well.

Hugs!

No guttural release was necessary, though. He could tell from my look that I wanted to know more. He pulled a black camera, the size of those used in films of the 40s, from behind the counter. The device, however, was surprisingly light. its size was due to the watertight casement that surrounded the true camera inside.

Turns out, the gizmo was easy enough for even Yours Truly to use—check out the photos and video in the post. It had a large display screen and floated if dropped in the water. When asked what the contraption’s depth capacity was, my Hawaiian Mr. Haney merely scoffed. And the deep-sea doohickey could hold an umpteenth amount of video and a gazillion photos. Even so, the renter could bring the camera in at any time to get a fresh battery at no additional charge. And Boss Frog’s burned a DVD of everything for you upon the camera’s return. SOLD!

And now, your moment of Zen

After securing a good spot on the beach with our towels, I went to “Turtle Cove,” this time with the Wondrous Audrey in tow. My effusive gushing about the site had her curious to what marvels were in store.

I should take a moment to explain, that Wondrous though she may be, in the water Audrey is—looks aside—no mermaid. She weighs nearly nothing when wet, yet sinks like a stone. I’ve tried teaching her the finer points of flotation, only to discover that the normal laws of physics do not apply with her. I believe she’d plummet in zero gravity. Still, she enjoys swimming and does so with a life vest, ever close to shore and clear of deeper waters. Fortunately, the waters off the coastline of Maui are stocked with fascinating fish and beautiful coral within feet of the shore, and thus have not curtailed her enjoyment of snorkeling therein.

Hang loose, my Faithful Bloglodytes!

Conversely, I’m the Man from Atlantis. My aquatic limitations do not come so much from being in the water as on it. I get seasick looking at ships in a bottle. You ever want to save money on purchasing chum, just feed me a good breakfast and have me accompany you on your fishing excursion. You’ll have all the chum you’d ever want.

The cove was surrounded on three sides by land, making its waters quite calm. Still, the depth of the area where the turtles frolicked was a good twenty feet deep, anathema to the Wondrous One’s swimming. I hoped my enthusiasm and pleas, coupled with seeing the serenity of the area, would entice her to give it a try. I so wanted to share the turtle experience with her.

I'm not touching you...

As if on cue, as soon as I swam into their aquatic “borough,” they pulled out of their undersea parking garage and began massing around me. I felt like I was a slab of dead tuna in an Animal Planet “Shark Week” special and they were Great Whites.

Now, harassing a sea turtle carries with it a steep fine. The creatures are on the endangered species list—though I’m happy to say, there numbers are growing—and not to be annoyed. Unfortunately, no one bothered to tell the turtles that. They were swarming me. I’d back away from one fast approaching me and nearly collide with another coming in from behind. It was all I could do to remain still and hope they didn’t touch me. I felt they were all younger brothers teasing “I’m not touching you…” as I tried to get Mom to make them stop. I captured the moment on film, including my mumbled epithet when they mugged me.



The camera was a dream to use. I took reams of footage and oodles of pictures, all the while fighting the conditioned notion—ingrained from decades of taking pix with a camera that allowed 36 shots at most and no video—that at any moment I’d have filled my shutterbugging quota. How refreshing to be able to shoot with abandon, never “waiting” to get the perfect shot, so as not to waste precious film, nor fearing a premature cut-off to a filming sequence.

Sure, there were klunkers, especially when attempting to capture my flippered friends the split second they poked their heads above the water for a breath. As with most of today’s cameras, there is a moment’s hesitation between depressing the shooting button and the device actually taking the picture. So I’d have to anticipate the creature’s moves, break the surface just before I believed it would, and be ready to snap the instant the turtle’s beak peeked out of the water.

Hey, you look just like a guy I saw down by the coral!

And I’d swear the little bastards were playing me. They’d shoot to the surface and juke me into thinking they were about to pop their heads, only to have me break the surface and take a quick shot of… the ripples of the water above their sneaky shells. The minute I re-submerged, they’d tale their breaths. But I did manage to capture the moment on several occasions, including one impressively timed shot of Wondrous Audrey smiling at the camera while a turtle’s head burst into the frame.

Cut! Okay, who let the human into the frame?

Far easier to film the breathing sequence, though it was sometimes difficult to keep the underwater animals in the frame, especially whilst diving beneath the surface to get a closer shot. And the zoom feature—did I not mention the zoom?—also played with the director’s perspective, adding another component to be aware of.

When I emerged, Audrey sounded like me the day before. From her perch on the verdant knoll overlooking the dive spot, she could see the turtles; their shadows under the surface and their heads popping up like a marine version of Whack-A-Mole. She agreed to join me the following day.

Rub, rub here, Rub, rub there...
Whether you’re shell or gauze.

That’s how we keep you in repair...
in the Merry Old Land of Oz!


Although the primary reason for coaxing the Wondrous One into the cove was to have her share in the sea turtle experience, I did also want to utilize her inner Scorsese to take some shots and footage of moi. My reasons were far from egotistical. Humility is a trait I pride myself in being the best at. I wanted nothing more than proof of my own maritime movies to curtail any jealous naysayers in the Ethernet who might suspect duplicity once they’ve viewed their awesomeness.

Audrey’s discomfort in the water made handling the camera more difficult, but she managed to get a few great pix and footage. More importantly, she and I now share the marvelous swimming-with-sea-turtles experience.

All told the camera cost a mere $35 for two days’ usage and a lifetime of priceless memories. Thank you Boss Frog’s!

Monday, June 6, 2011

Heroes Reborn

Most Bloglodytes will recognize whence this posting’s title comes: Marvel’s desperate marketing ploy to bolster sales during the industry’s collapse in the mid-90s by leasing some of their most iconic characters to the hot young artists of Image Comics for a year. Yours Truly hopes his return is received more favorably!

Ever Faithful Bloglodytes of Heroes In My Closet will immediately notice the new banner emblazoned atop the site, and once they’ve shaken from the moment of stunned silence that most assuredly will result from casting their eyes on the beauteous artistic airbrush stylings of Ken Steacy, their hearts will leap in the hope that the blog’s auteur is finally back from his self-imposed exile. Of course, the feeling of elation will no doubt quickly be subjugated with a disgruntled Where the Hell have you been?!!

The artist responsible for the new masterful marquee,
Ken Steacy


Ah, loyal ones, I feel your pain. I had no intention on staying away at all, never mind nearly six months. But anyone who has ever lived the life of a freelancer is well aware that when the work comes, you take it. After all, an independent contractor never knows when the next job will present itself.

I experienced the fortunate misfortune of a perfect storm of opportunities. My usual clients suddenly needed my services more than ever for various long-term projects, and I was offered a chance of becoming a part of something really cool, the details of which I will feature in a future posting (In the unforgettable words of the great B. Bunny, “Ain’t I a stinker?”)

All I can do is hope you forgive me and endeavor to make Heroes In My Closet better than ever. The spiffy new header is just a whiff of the nifty stuff I have in store.

Anyway, any newbies to the site who have shaken off their captivation of the Steacy masterpiece, but have not been driven off by my incessant ramblings… willkommen, bienvenue, welcome! Steacy is not a stranger to Heroes In My Closet and has been featured in two historical postings: “Jeepers Creepers” and “Are the Stars Out Tonight?” As per the respect given Closet veterans, I’ll wait while you first-timers peruse those lasting literary logs, loquacious though they may be.

pause

Now the other one…

pause

Okay. Now, where was I? Ah, yes… After our much ballyhooed reuniting at the New York ComiCon, Steacy mentioned that he would love a shot at creating a new banner for the website. That sonic boom you heard last October was the result of my quick response. It was a no-brainer, so even I could answer (cue rim-shot). Any who are still in doubt of Steacy’s undervalued greatness need look no further than the bravura job he did over Steve “The Dude” Rude’s layouts on the Space Ghost prestige one-shot that Comico released in 1987.

Rude is the creator of Nexus and The Moth and a comic legend in his own right. Is it no wonder this head-spinning artistic duo garnered a coveted Eisner Award for “Best Art Team” for their work on this timeless classic of the titular Hanna-Barbera hero? I say thee, nay!

Steve "The Dude" Rude’s Nexus and The Moth

Steacy will also be providing the occasional cartoon to the blog, an exclusive you’re not going to get on those other blogs. It’s just another way for me to show my appreciation of you, my Ever-Faithful Bloglodytes.

I leave you with a page from the Space Ghost Special... Enjoy!

Sunday, December 19, 2010

Spider-Man: Turn Off the Dark Redux

Behold the power of Vroom!

Five days after posting my review on Spider-Man: Turn Off the Dark, in which I lay the brunt of my negative criticism on the musical’s unfathomable second half, the New York Times reports that the show is getting pushed back once again. In a Friday, December 17 article, entitled “Broadway Opening for Spider-Man Delayed Again, This Time to February,” by Patrick Healy… “Reflecting the view of some audience members who have criticized the show on blogs, Twitter and Facebook, Ms. Taymor and the producers have concluded that Act II has storytelling problems that need to be fixed.”

Now, far be for me to accept complete responsibility for Taymor and co.’s wise decision—humility prevents me from doing so—but how could the visionary not take into serious consideration the comments of one who spent a decade portraying the iconic Web-Slinging Idol of Millions?

And since I have her ear, I have a few suggestions for Ms. Taymor and her team as they work toward creating a Spider-Man musical worthy of the character:

  • Stop trying to reinvent the wheel—In a mere handful of pages, Stan Lee created a hero that has become an internationally adored icon for nearly 50 years. Suck it up and accept that fact, instead of thinking you can do it better. Use the incredible talents you displayed in adapting The Lion King to the stage on the Spider-Man mythos. The excellent Act I is a perfect example, and Act II begins promisingly, but then gets sabotaged by your forced re-imagining of the Web-Slinger. Throw out your misplaced ideas and go back to the source material
  • Live theater should be LIVE—No one spent a hundred-plus dollars a ticket to watch what amounts to a bad videogame. Excise the endless projected sequences of Act II and use your formidable skills in creating live action sequences worthy of a comic book hero. That’s what people expect from a live Spider-Man show. For that matter…
  • Develop more web-swinging scenes—They are breathtaking and elevate the show to heights (no pun intended) never before attempted in a Broadway show. Yet, there are none… NONE… in Act II, discounting the pathetic channeling of Mary Poppins by Arachne in a throwaway moment. Plus, not once does Spidey shoot his webbing. Figure out and incorporate that into a new battle royale with the Sinister Six and you’d bang Act II up a notch from Act I and leave the audience standing. Speaking of the Dirty Half-Dozen…
  • Make The Green Goblin and a slightly revised Sinister Six the main antagonists—I hadn’t mentioned Gobby’s Act II return in my review, because he only appeared on screen, a pathetic misuse of your great vision of the character, wonderfully portrayed by Patrick Page. Dump the ill-advised Swiss Miss and have the Goblin return as the leader of the Sinister Six. Currently, Spider-Man’s arch-nemesis and cabal of evildoers prove to be nothing more than illusions conjured up by Arachne. Make ’em real and stage a clever final showdown pitting our intrepid arachnid against the combined forces of evil.
  • Keep Arachne a spiritual manipulator—I like the use of the Arachne mythos as you juxtapose it with Spider-Man’s. But the character loses her integrity when you make her a physical threat. Cut the insulting, campy “shoe” number and make Arachne more of an observer in the same vein as the gods in the classic Ray Harryhausen film, Jason and the Argonauts. Spidey’s ultimate triumph can also serve to finally teach Arachne humility after thousands of years in limbo and her attempt at regaining a mortal foothold through Peter Parker. This result would further elevate the Web-Slinger as hero.

I want nothing more than for Ms. Taymor and co. to succeed. After all, there is nothing more heroic than turning seeming defeat into triumph.