Tuesday, July 5, 2011

REX RIDERS or How I Spent My Recent Sabbatical

Much to the chagrin of Closet’s Faithful Bloglodytes, the site went on an unintentional hiatus at the start of 2011. The final installment of 2010 concerned the announcement that the opening of Spider-Man: Turn Off the Dark, the much-maligned and technically-dangerous Broadway show, was delayed once again. I had reviewed the production a couple weeks before (see post) and took the news as an opportunity to share my beliefs as to how to fix the musical (see “Spider-Man: Turn Off the Dark Redux”).

When the Web-Spinning Spectacle did open a few weeks ago, I was heartened by the news that many of my suggested changes had been implemented, and that the subsequent reviews of the revamped show have been overwhelmingly positive. Far be it for me to take credit for the musical’s successful return. After all, many of my criticisms and helpful hints echoed those of other reviewers. Besides, I’m cursed with an overpowering sense of modesty—no one does humility like me!

But I did see Spider-Man: Turn Off the Dark’s triumphant opening as a sign for Yours Truly to reopen the Closet door, as it were. Fortunately, those forces that steered me clear of the blog have subsided enough for me to do so.

Rex Riders was such a force; one to be reckoned with!

Rex Riders is a Young Adult (YA) novel, which can best be described as Ray Harryhausen’s stop-motion classic, The Valley of the Gwangi, meets the young people’s western serial of the original Mickey Mouse Club, “Spin and Marty.” For those Faithful Bloglodytes too young to remember that Ronald Reagan was once a Hollywood movie star, switch the latter reference with Nickelodeon’s late-80’s/early 90’s teenage sitcom Hey Dude. And if I’ve still left you scratching your head betwixt text messages, think Jurassic Park meets Cowboys and Aliens.

I’m the proud editor of the book, although I served in other capacities as well.

My involvement on the project began in June 2010 at BookExpo America (BEA), the literary saturnalia for the publishing trade held annually at New York City’s Jacob Javits Center. Through my business relationship with Fanfare/Ponent Mon—publisher of translated graphic novels—I received a badge and attended.

Death by ephemera

BEA is a book-lover’s dream. Publishers showcase their upcoming line of titles, many giving out galleys—advance unproofed copies—of certain ones about which they are particularly jazzed. Sure, I was excited to get free books, but it’s not like I’m starved for reading material. The towering to-be-read stacks in the library of Casa Vroom! threaten to topple anytime a truck passes by, and I’m not especially enamored of suffering the same fate as Langley Collyer who perished under the weight of literally tons of ephemera that he and his brother hoarded in their home.

“Honey, where's the remote?”

My main objective was to network, and in so doing, I stumbled upon the Monstrosities, Inc. booth. Actually, lured would be a better verb to use. Rex Riders was wisely highlighted with giant reproductions of the artwork that lay within the book’s pages; beautifully rendered pen-and-ink illustrations of cowboys and dinosaurs that caught my attention like a dog to a squirrel. And there was no choker collar to prevent my charging the booth. There I met the creative genius behind the novel, J. P. Carlson.

Carlson was immediately taken with my affection for his product. He was a fellow dino-phile, and it was love at first cite; that being my citing The Valley of the Gwangi when looking at the Rex Riders art. For the next half hour, Carlson and I geeked out over all things monstrous, from T-rex to Reptilicus, Gorgo to Godzilla, King Kong to King Ghidorah.

Eventually, our conversation turned to the images surrounding us in the booth. The art was familiar and I was pleasantly surprised that it was the work of comic book artist Jim Calafiore, whose penciling on the short-lived 90’s Marvel series, Force Works, was a favorite of mine. Calafiore’s work was refreshingly economic in an age when the Image Comics style of extreme detailing, cross-hatching, endless speed lines and flash-masquerading-as-storytelling had become the norm. That is not to say Calafiore’s style lacks such. He just knows how not to overwork the art, detailing just where needed and only in service to the storytelling.


It was also nice to see that Calafiore hadn’t rested on his laurels in the fifteen years since Force Works. Many comic artists who find early achievement do nothing more to advance their craft thinking success precluded their having to do so. Thus, their work becomes stale, stagnating in a morass of been there/done that, and they soon find themselves no longer the “hot” property of comicdom. But it was evident that Calafiore strove to advance his art. There was a confidence and fearlessness not present in his earlier work. Just take a gander at the pieces featured in this post. There’s a simplicity that belies the rich detail and depth, creating an excitement and animated quality that raises Calafiore’s art above others.

Carlson needn’t have explained the plot of his prehistory-meets-the-old-west adventure. He had me at cowboys and dinosaurs. I had to get a copy of his book!

But as a self-publisher Carlson only printed so many galleys, and he was understandably saving those for publishers, editors and industry people who could actually help him see Rex Riders into bookstores. Extensive my experience in the field may be, but I was still a lowly independent contractor seeking a Random House or HarperCollins to call my home.

As Bugs would say: “Time… unh… to employ… unh… a little… unh… stragety!”

“You must also be familiar with Cadillacs and Dinosaurs?” I nonchalantly asked.

Cadillacs and Dinosaurs was a mid-80s comic book series by artist/writer Mark Schultz, a post-apocalyptic tale of modern man living on a future Earth populated by dinosaurs. Schultz’s work is reminiscent of the legendary comic strip and pulp artists of the 30s, such as Roy Krenkel, Burne Hogarth and Frank Frazetta. It’s breathtaking and some of the finest work being produced today. I knew damn well Carlson was more than acquainted with the series, and it was a sure bet he was a big fan of Schultz as well. But I was certain Carlson would not know of the Schultz work that graces the first trade paperback of Captain Gravity, a character I created and for which I penned the initial origin and story arc for Penny Farthing Press in 1998.

He didn’t, and it didn’t take long before he was as eager to read my book as I his. So we agreed to a trade: Rex Riders for Captain Gravity. The transaction was made that next day, and I was reading Carlson’s epic that evening.

Schultz’s penciled art for the Captain Gravity trade paperback

Rex Riders is a fantastical tale set in the old west at the turn of the century. It’s hero is fourteen-year-old Zeke Calhoun, who stumbles upon a fallen otherworldly rider, riddled with bullets, and his even more surprising “horse,” a juvenile Tyrannosaurus rex. What Zeke doesn’t know is that rescuing the stranger would set off a chain of events that would plunge the teen into an incredible adventure, and lead to the discovery of a deadly alliance between Earth and a prehistoric world that could threaten the fabric of both!

Young Adult novel it may be, but I found myself caught up in the saga. The characters were well-defined and interesting—the heroes heroic; the villains despicable. The pacing was excellent with each chapter ending on a cliffhanger which doesn’t feel contrived, but rather flows organically from the story. And Carlson blends a nice mix of excitement, suspense, mystery, horror and fun. Calafiore’s dazzling illustrations which top every chapter opening with interstitial full-page shots speckled throughout—including one spectacular piece that spans two folios—certainly don’t hurt the book’s enjoyment, either. I polished off the 400-page galley in a day.

As promised, I shot Carlson an email telling him of my thoughts. I went on to mention the book’s massive potential, not only in print but all other forms of media and licensing. My one concern was the galley’s many typos and its typesetting, which was filled with widows—paragraphs that end atop the subsequent page using less than a third of the line’s width—orphans—words of less than four characters that sit by themselves at the completion of a paragraph—bad word breaks; chapter endings of less than four lines; i.e. the aesthetic qualities of the book that lend to a pleasurable reading experience.

Advance uncorrected proofs are meant to emulate the finished product as closely as possible. True, a few typos will slip through and some typesetting will be overlooked with the intention of fixing the problems before the title sees print. But the galley should essentially be the book before fine tuning, not total restoration. I loved Rex Riders and Carlson. I wanted both to succeed, and the nits I was picking would be the difference between an amateur job and a professional one. But I also apologized, pointing out that I was sure he knew all this and was already taking the necessary steps that would make Rex Riders shine.

Carlson thanked me for my comments. He was aware of the book’s faults, but explained that Monstrosities was a company without an editor or typesetter, and then asked if I would I be interested in taking up the cause. Thus, I found myself in the enviable position of marshalling a great book and possibly wonderful series; what I feel could be the next big thing in YA novels.

But don’t take my word for it. Check out these reviews from the distinguished Smithsonian magazine website and respected pulp and comic book writer (Green Hornet and Terminator) and historian Ron Fortier for the New York Journal of Books.

Rex Riders is available now. It’s a great ride… er… read!

Tuesday, June 28, 2011

Northern Exposure, Part II: Ferry Tales

As you, My Faithful Bloglodytes, may remember (If not, see “Northern Exposure, Part I: Who Was that Masked Man”), I had just begun a five-day, cross-Canada press junket to promote a program to reach children about the evils of drugs, bullying and other social causes via a series of custom Spider-Man comic books. The whole enchilada, though, was in danger of literally not getting off the ground due to a blizzard of Brobdignagian proportions hitting Toronto moments before my scheduled flight to Winnipeg, the next stop on the tour. I was hustled onto the last plane given the thumbs-up for take-off before the city shut down. Rudolph would have told Santa to stick it in his sac…

But take off we did, all the while buffeted like the riders in the last car of the Coney Island Cyclone throughout our ascent. Thoughts of the nonfiction bestseller Alive filled my mind. I started looking at the other passengers like I was at a Vegas buffet. Finally, thankfully, the plane broke through the storm’s ceiling and leveled out in tranquility. It seemed like hours, which was ridiculous, seeing as Winnipeg was less than two hours away from Toronto by air.

Summer in Winnipeg

The rest of the flight was uneventful. The skies around Winnipeg were clear, though the several feet of snow on the ground indicated that wasn’t the case in recent days. But what the city lacked in bad weather that evening, it made up for in mind-numbing frigid temperatures. It was 20º below zero Fahrenheit, and I’m not talking wind chill. Chief Stephen told me that the temp was typical for that time of year. “Typical for that time of year!” It was only December 4!!! What was typical for… oh I don’t know… February 1? Forty below?! With the nonchalance with which he presented the statement I’d swear he bathed in liquid nitrogen. My mind just couldn’t grasp those kind of numbers. Unfortunately, my body was having no problem—I was freezing my tuchus off!

And the inhospitable environment was apparently not lost on the locals. There would be no one telling me during my visit, “20-below? Pshaw! We’re used it,” before stumbling through the permafrost like a Yeti. The thoroughfares were barren of pedestrians. Not even an errant inuit or one of those odd ducks we all know that spends their winters in shorts, because they “love the cold,” was visible.

Meanwhile, at the Winnipeg bus stop...

In moments, Chief Stephen and I arrived at the hotel. Why the Chief was checking in was beyond me. Wasn’t he the Chief of Winnipeg? Perhaps, his abode lay on the city’s outskirts and staying closer to its center would be more conducive to his making the early-hour press conference the next morning. I had nought but my humble NBA gym bag safeguarding the Spider-Man suit—I never traveled separately from the costume if at all possible.

I wasn’t looking forward to spending the next twenty-four hours without my teeth brushed. And my contacts were not the type you slept in. I took out and cleaned them every evening and enzymed them once a week. Remember, this was a few years before disposable lenses and daily removal and weekly maintenance was important for the health of your eyes and longevity of the contacts. Optometrists recommend that one does not keep the permeable slivers in their eyes longer than eight hours, and I was going on fourteen by this point, including a dehydrating flight. My orbs felt like raisins.

Fortunately, the hotel had disposable toothbrushes and paste. Actually, the toothpaste was incorporated into the design of the instrument. It was an odd little thing: shorter than an average brush and composed of a lesser grade of plastic, including the bristles. The paste was stored in a cavity underneath these plastic cilia and forced through tiny pores at their base when the implement was telescoped inward. The toothpaste wriggled up the same way Play-Doh squoze through the Fun Factory press. Alas, the maneuver shortened the brush by nearly an inch, which made holding the thing difficult, never mind actually brushing with it. And it wasn’t quite Natural Tom’s of Maine, either. It tasted like an after-dinner mint that had been hidden at the bottom of a coat pocket since the garment was worn the season before. But it was better than not brushing! I couldn’t bear facing my li’l fans with my breath smelling of cadaver. I even felt bad for the media.

As for my eyes… Blessedly, I had drops on me which, although not ideal, would keep my parched peepers lubricated enough so that my lenses wouldn’t permanently fuse to my orbs before I got to Vancouver sometime the following afternoon. It was still disconcerting to sleep in them, but I was so knackered from the day’s festivities, my worries were no match for exhaustion. At least I’d see more clearly in my dreams.

Despite awaking to a brilliant sun, any hope of a more humane temp—say 0º—were merely a pipe dream. It remained a “normal-for-this-time-of-the-year” twenty below. As Chief Stephen and I were ferried to the venue at which the press event would convene, I noticed that all the buildings were interconnected via enclosed walkways. From one skyscraper to the next, cross alleys and streets, were a network on conduits. The whole city looked like a giant Habitrail for humans. Chief Stephen explained that this was how people got around. All the buildings had underground parking garages—in fact, there was a whole ’nother world of shops, eateries and businesses beneath the streets. Winnipeggians (?) spent practically their entire winter months indoors.

It was then I noticed the eeriness of what would normally be deemed pedestrian areas—sidewalks, plazas, etc.—of the city. There weren’t even that many cars on the roads. Locals got inside as quickly as possible and stayed there. Well, when you live in an environment that can cause frostbite after a scant five minutes of exposure, it makes sense. The intense cold and dryness also made the snow seem like peppercorn-and-rock salt rough-ground dry marinade. A mere moment of the concoction whipping against my face felt as if I’d shaved with a cheese grater.

Kudos to the Winnipeg Free Press, the only paper in Canada to spell Spider-Man correctly

The event was much like the one at the Organ Grinder in Toronto, and held at a similar venue. Heck, it could very well have been an Organ Grinder franchise. Chief Stephen did the honors introducing me and I handled the onus of discussing my adventure in the comic and my role in the program with my usual aplomb before confronting the dreaded notepad holders and mic wielders. Thankfully, the children escaped unscathed from bullying reporters.

The trip to the airport was a far cry from the flight-from-Egypt-esque one the evening before. There was no teary farewell between Chief Stephen and I. As soon as the cab arrived and was ready—and by that I mean heat running at full capacity, passenger door open and aligned with the eatery’s entrance, driver standing by—I bid everyone adieu and sprinted out the front door, diving into the hack like I was dodging a sniper. As frigid as my departure from the Organ Grinder was—Spider-Man-ing through a foot of snow amidst whipping wind and snow—that split second in the arctic climes of Winnipeg clad in a paper-thin layer of spandex and bikini undies was worse.

My whirlwind trip across Canada next brought me to the mild northwest climes of Vancouver. The flight was long—three-plus hours—but blissfully uneventful. By the time I landed, I was a fog-addled, nigh 200-pound mass of flesh, suffering from 48 hours of sleep deprivation and 2000 miles of getting bitch-slapped by the weather and plane travel. Add to that inadequate toiletries which made my contact lenses feel as though they were sucking my soul out through my eyeballs; forced me to endure several teeth-brushing sessions with barbaric, plastic, flagella-tipped sticks coated with Beechnut-gum–flavored paste; and had me smelling like a Frenchman from lack of underarm deodorant; and so much as the plane running out of peanuts would’ve had me out of my seat chanting Attica! Attica!

My memories on that first day in Vancouver are understandably a blur. I think it was overcast—it may have been raining shortly before my arrival—but it was definitely warmer. The city reminded me of San Diego, but with a cold.

As promised, my bag was waiting for me at the Bell Captain’s station of the hotel upon check-in. I dragged my sorry ass to the room and had my Dopp kit out before the luggage hit the rug. Peeling my contact lenses off my tired orbs was like trying to get the address label off a magazine subscription. I swear it made the same sound as well. Unfettered, my peepers gratefully gasped for air. Then, I brushed my teeth for a good twenty minutes, basking in the soft bristles of Oral-B and the subtly minty sweetness of Arm & Hammer. An equally-long hot shower, revived me just enough to stumble to the bed and collapse, succumbing to a much-needed afternoon nap.

Before the CACP conference in St. John’s, Newfoundland, where I began my association with Eric and the venerable institution and where the Spider-Man custom comics program was solidified (see Chill St. John’s, Parts I & II), a similar meeting was held on the west coast in Victoria. Patrick, one of Marvel’s California-based Web-Crawlers answered the call of duty and is seen here with Chiefs Stephen (r) and Snowdon (l) and Deputy Bill Kerr (c).

I met up with Eric and his son Peter later for dinner. It was then that I also met Chief Bill Snowdon. I’m not certain how the police hierarchy works in Canada—heck, I’m not quite sure about how it works in the U.S.—but it was immediately apparent that Chief Snowdon held a spot in the upper echelon of the CACP. There was a gravitas and wisdom behind his eyes that belay a friendly, grandfatherly mien, the type gleaned from years in the trenches fighting the good fight and doing it well. His presence demanded respect, though he did not. He was actually loveable, the way an uncle is. Still, you had the sense that you didn’t want to be on his shit list. He reminded me of Broderick Crawford who played his share of lawmen, including Chief Dan Mathews in the popular 50’s television series Highway Patrol.

Separated at birth?

All that was meaningless. He was a good friend of Eric’s and thus one of the good guys. His base of operation was Victoria, British Columbia’s capital located on the southern tip of Vancouver Island. Though Chief Snowdon would be present for the next morning’s press hijinks, he would not be presiding—that honor being local police chief Bob Stewart’s—but he would be accompany Spidey on the Web-Crawler’s visit to the BC Children’s Hospital after the conference and afterward on the ferry ride to Victoria.

The press event proceeded as the previous two: Organ Grinder franchise or some such eatery hosting, much media, scads of excited kiddies, photo ops aplenty and great aplomb across the board. No kamikaze reporters strafing wee fans, nor any other hiccups of which to speak. The one major difference was the climate. It was blessedly pleasant—I would’ve walked to the medical facility!

Ace reporter Nosy Parker’s and Spider-Man’s rendition of “Summer Lovin’” was a big hit at the karaoke bar

The police cruiser that transported us was loaded beforehand with Eric, Peter and my luggage, as we’d be proceeding straight to the dock following Spider-Man’s visit to the hospital. I’d have to change into my civvies after I’d seen the kiddies. I certainly couldn’t do it in the car, what with Eric and Peter sharing the backseat and Chief Snowdon riding shotgun. He’d probably arrest me for public indecency.

As with my other visits to children’s hospitals, the occasion was filled with a dichotomous mix of cheer and heartache, but ultimately fulfilling on a level few will ever understand. Despite the promotional bent of the week’s activities, all salesmanship went out the window once I entered the hospital. This was all about lifting the spirits of kids undergoing a discomforting, oftentimes traumatic moment in their as-yet short lives. And by the joyous way many reacted to Spider-Man, I was assured of pushing aside the wee patients’ fear, pain and confusion, if only for a brief moment. I was happy to see that Eric and Chief Snowdon shared my views.

Throughout the dozens of hospital visits I made during my decade wearing the red-and-blue, I was always amazed at the politeness of the medical staff. They’d make the Goofy Gophers from the Warner Bros. cartoons seem like Naomi Campbell in comparison. It was nigh sycophantic at times. I realize they were showing me the respect of a guest in their workplace, but they save children’s lives, for goodness sake! I should be bowing to them!

As they sometimes mentioned, part of the reason for their behavior—other than just being incredibly selfless individuals—was that they seldom had celebrity guests visit. So when one did stop by, they were overly appreciative. I was shocked. How easy—taking so little time and effort—was it for a celebrity to pay a visit to a local children’s hospital? Was it the lack of media attention such a gesture would garner or simply a case of overlooking something like a hospital, which stands day in and day out, its workers doing their jobs without fanfare, regardless of media attention? Well, this was one celebrity who’d do anything he could—barring testing the latest serum, that is!

The best medicine...

This particular hospital tour brought with it a unique request. One of their patients—a ten-year-old who needed his tonsils removed—was so terrified by the impending surgery, there was no consoling him, and he refused to accede willingly to the procedure; that is until the doctors promised that Spidey would be waiting for him the moment he awoke from anesthesia. It was a risky move and one assuredly not taken lightly. What if another blizzard or other disaster delayed my trip or forced me to cancel altogether? He’d awaken to bitter disappointment and possibly a complete loss of faith in all his heroes.

There was no question I’d be there for the young boy, though the administrator who asked me did so in such a way as to suggest that the hospital would understand if I was too uncomfortable about agreeing. Lead on, MacDuff! My prestigious posse, however, were left behind. No one other than authorized personnel were allowed in post-op. This was an extreme exception. As with a burn ward, a surgical mask, gown and slip-on booties were required dress. But my handy-dandy Web-Slinging ensemble was already self-contained, so I entered the double-set of hermetically-sealed sliding doors sans hospital attire.

The area was dark; nought but a few fluorescent lights cast an eerie, milky glow from recessed sconces. The quiet was deafening; the rhythmic beep of monitors and swoosh of oxygen tanks, the only sounds present. I felt like I was doing something I wasn’t supposed to. Noticing my arrival, a nurse by the boy’s bed began whispering to him of my presence. A wise move. The lad came out of surgery not long before. having my spidery visage be the first thing he sees coming out of anesthesia might give him a heart attack. Still, I crept slowly toward him, and began waving and delivering greetings as soon as I noticed his eyes shift in my direction.

The boy was understandably groggy, like a child who’s fallen asleep in a car seat and must be lifted to be taken from the vehicle. “Hi, Spider-Man,” he croaked, moving his arm out to shake mine. It slid an inch or two, never raising above the sheets, before I took hold with my own.

“I heard you wanted to see me,” I said. “I’m so glad. I would have never found you in here. It’s like your own Batcave.”

Yes, I know, it may be sacrilege to reference the Distinguished Competition’s icons, but I’m pretty sure both DC and Marvel alike would forgive me in this instance.

And the smile—weak though it may have been—was worth it.

I went on to tell him how brave he was… and lucky! He’d be allowed to eat as much ice cream as he wanted for a couple of days. I had to be careful not to risk harming my heroic physique. Understandably, he didn’t talk much. I winced empathically every time he rasped. I still have my tonsils, and when I have a sore throat, it’s like I’m covered in paper cuts and dunked in lemonade every time I swallow.

The encounter lasted but a few minutes, before the nurse gave me the high sign that I should go. I told the lad the same, and he mumbled a goodbye, then drifted off to sleep. I crept out as quietly as I’d entered, wondering if the boy would think it all a dream and hoping that he remembered enough to know that it was not and Spidey had kept his promise.

I met up with Chief Snowdon, Eric and Peter and the visit continued. In the children’s play area—our final stop—I was surprised to see a photographer from The Vancouver Sun. As I mentioned, I am not enamored of using sick children for publicity purposes. Unfortunately, newspapers won’t run a photo ballyhooing a new social program, regardless of its import, without an emotional hook.

And of course, the child on which the shutterbug focused his attention was the one with the most in-your-face affliction: a ten-year-old boy, named John Irwin, whose wheelchair could not disguise the debilitated body seated therein. The photographer’s presence didn’t seem to bother John, whose toothy smile and wide excited eyes couldn’t hide the delight of seeing his hero. He certainly didn’t need to wear the Spider-Man hat balanced atop his head. Everyone could see this was a special moment for him. He even wore a shirt and tie! Knowing John’s amazing moment would be featured in the newspaper and the boy would experience the added excitement of being highlighted thusly assuaged any ill-feelings I had regarding the media attention.

The ferry trip from the Canadian mainland to Vancouver Island was a treat. My only experience with ferries was the one that transported New Yorkers between Staten Island and Manhattan, a pleasant thirty-minute affair that offered one of the best and assuredly cheapest views of the Statue of Liberty—a mere 25¢ roundtrip at the time!

The ferry that traveled from Tsawwassen to Swartz Bay was a much larger ship. Cars, trucks, vans, commercial vehicles and buses alike packed the lower levels while their drivers and passengers, as well as additional travelers filled the upper tiers. The interior was much like that of the Staten Island variety: sparse, open spaces lined with long hard benches and the typical “refreshment” kiosk which served such standard fare as hot dogs, potato chips, sodas, newspapers and magazines. Where this ferry differed from its Gotham brethren was length of the trip—approximately ninety minutes—and the view along the route.

“A three-hour tour... A three-hour tour...”

With due respect to Lady Liberty, the panorama that greeted me on this aquatic journey was breathtaking. The Vancouver Island ferry meanders betwixt the many islands that sprout from the waterways en route; towering, forest-covered masses of all shapes and sizes, with the occasional homestead peeking through the trees and accompanying path to jetty and boat on the shore below. The late-afternoon sun was brilliant, accentuating the picturesque tableau before me. And the cool evening breeze was both chill and exhilarating. It was Mother Nature at her most awesome; the kind of moment that makes you feel so small in the scheme of things and yet more alive. It was just the spirit-rejuvenating experience I needed to get me through the final leg of the junket.

And I’d need it. I was scheduled to swing by an elementary school the next day. Don’t misconstrue; I enjoyed my school visits. But tweens and teens were the most challenging of my fans. I had to be on top of my game. Sure, reporters may poke and pry in their vain attempts to squeeze a shred of dirt that might expose Spider-Man, but they were pretty stupid. It was easy to manipulate them and I never met one that could match my Web-Slinging acumen.

Occasionally, I encounter a young go-getter who knew that Spidey was married to Mary-Jane Watson-Parker, and they’d confront me with that fact, like it was the clue that would lead them to the Holy Grail (Please! Tell me the name of the gossip magazine J. Jonah Jameson used to publish alongside The Daily Bugle and we can start discussions). But I’d easily swat them aside with far more Webhead lore than they had in their arsenal, leaving them agape.
But the young adults… They were savvy and knew their stuff, and even more tenacious. A battle of wits with them was a true psychological chess match. Sure, the majority were just excited to see Spider-Man live. They’d throw away whatever “cool” pretensions they’d developed in school and allow themselves a lapse back to just being a kid. But some saw knocking down the world-renown superhero phenom as a means to boost their egos. In the end, they, too, begrudgingly got a comic book signed and oftentimes ended up defending Spidey from others who would try to do what they’d attempted moments before. It was challenging, but fun, and these doubting Thomases were perfect for honing my ad-libbing skills and keeping me from getting too cocky.

The students at James Bay Elementary School did not disappoint. They were inquisitive, honest and bright. Helping to temper the veracity of even the most profound quidnunc among the group of fifty was the fact that they were some of the first children in all of Canada to receive the custom comic book that the CACP were handing out. This made them feel especially special, so there was little reason to exalt oneself by attacking Spider-Man, the bearer of the gift that had already raised their self-esteem.

When confronted with a free-range group of youngsters, I try to find a high perch whence I can autograph without worrying about the chaos surrounding me. The costume’s limited vision already raised my hackles when amid an unfettered gathering, so attaining a position of safety and control made for a less stressful situation. Few have been the times when I’ve had a kid punch me, but why take the chance of some misguided youth pulling a Mark David Chapman? Besides, the spectacle of Spider-Man hunkered over a gaggle of gleeful groupies makes for enticing photo fodder for the local rag. Thus I found myself atop a van in the school’s parking lot whilst the precocious yutes peppered me with questions and handing me their comic books to sign.

I discovered later, after Eric had sent me a press packet from the junket—whence the few scanned Xerox pictures in the blog derive—that a picture of the aforementioned scene of Yours Truly signing comics atop a vehicle overhanging a pack of perky pupils did make Victoria’s newspaper, The Evening Telegram. Sadly, it is a bad copy, even muddier than those I’ve included. If any of my Faithful Bloglodytes in the northwest have an actual clipping in their scrapbooks, please send me a scan and I will give appropriate credit and genuflection.

All I had to face now was the 3000-mile flight back to NYC, which included a stop in Toronto where Peter, Eric and I would part ways. I’d have rather confronted a roomful of Bill O’Reillys. Compounding my misery was my impending birthday two days thence. No one likes to spend their day of birth alone and that’s what was awaiting me in my studio apartment in Forest Hills, Queens. Well, that and wall-to-wall Marvel memorabilia, including an inflatable Spidey hanging over the bed. Is it any wonder I was single?! Of course, spending more than half the weekends in a given year on the road only made dating that much more difficult. I was as pathetic as the alias of the character I portrayed. All that was missing was a doting aunt.

Perhaps sensing my reluctance to go home, Eric asked if I’d like to spend the weekend in Toronto with him and leave Monday morning. In truth, I would have jumped at the chance even without the dire circumstances. One regret throughout the trip was how little time Eric and I had to hang out. He said he’d handle the changes in my schedule with the airline, then surprised me with an upgrade to first class. It was his way of thanking me for the good job I’d done. I could’ve kissed him. I’d never traveled first class, and to this day, have not done so again. I still remember the meal: thinly sliced, smoked Norwegian salmon, filet mignon and a strawberry mousse served in a square bowl made of white chocolate; plus all the wine I could drink!

“That is not a picture of my web-shooter...”

But the best part was the leg room. As I am 6' 2", space is a premium for me when flying. I can’t afford Business never mind First Class, so I have to take my chances with what little room the airlines provide in Coach. If I’m lucky, I’ll be able to lower my tray table without shattering my patellas. And if the passenger in front of me is especially rotund, I’m doomed. Airplane seats have about as much support as Anthony Weiner and any above-average–seized person forces the flimsy structures back even further. And that’s before they employ the reclining feature… OUCH! My trip across Canada was fraught with flight accommodations of varying degrees of small, so the ability to luxuriate throughout the six-hour return trip was sheer bliss.

The Conroy men: older son, Ed, Eric and younger son, Peter

I also finally got the chance to know Peter, who was seated next to me. During the junket, he was understandably quiet. Representing youngsters across the country amid a bevy of flashing cameras and inquiring reporters is heady stuff for a thirteen-year-old. And he wasn’t wearing a mask! Still, he soldiered on without losing his composure, which spoke volumes for his character, albeit unassuming and shy. With the spotlight turned off, he was a fun, mischievous kid. So it was no surprise we hit it off.

The “west and wewaxation” continued at Chez Eric. A case of red, visits to the local pub, another case, scrumptious vittles prepared by the Scottish Lady, still more bottles of vino… overall, relaxing, joyful and one of the best birthdays I’d ever celebrated. And Fiona kept her clothes on the whole time!

Happy birthday to me!

Friday, June 24, 2011

RIP: Gene Colan 1926–2011

Gene Colan with a recreation of the iconic cover art
from Iron Man #1


Faithful Bloglodytes, please forgive this interruption in the blog programming. The conclusion to “Northern Exposure” will appear in the ensuing days. But I wanted to take a brief moment to pay my respects to one of comicbookdom’s greatest artists, Gene Colan, who passed away last night.

Gene may not have laid the foundation for the Marvel Universe, but he was certainly influential in helping make the company the success it is today. His Marvel debut came in 1966 on the Iron Man series in Tales of Suspense #73 (ToS) under the pseudonym Adam Austin (Good friend Mort Todd reminded me that “the Genial One started at Timely-Atlas-Marvel in 1949 on Captain America’s Weird Tales and did loads of horror through the 50s.” The company, however, was not Marvel Comics at that time, and Colan did not gain prominence until his Silver Age return.). This pen name was short-lived and merely to hide his relationship with The House of Ideas from DC with whom he was also working at the time. But Colan’s work was so unique that even Homer Simpson could have figured out Adam Austin’s alias.

Colan held long distinguished runs on the Golden Avenger’s aforementioned original adventures in ToS and the first few issues of Shellhead’s eponymous title thereafter; Sub-Mariner; Daredevil; Dr. Strange and Howard the Duck. But it is his work on Tomb of Dracula for which he is most revered.

Colan created the look of Blade the Vampire Hunter, introduced in Tomb of Dracula

Surprisingly, I was initially not a fan. Colan’s style was unlike anything I’d seen as a young’un. My artistic taste buds had yet to mature. But Colan’s rich, detailed pencils; the fluidity of his actions; the atmosphere of every panel; quickly won me over and proved to be instrumental in developing my love of Surrealism and artistic visions far outside the norm, like the stylings of Bill Sienkiewicz, Jon J. Muth and Skottie Young.

Colan returned to DC in the 80s, working on such series as Night Force, Jemm, Son of Saturn and Silverblade about a B-movie actor who can become the roles he used to portray; an obvious favorite of mine. This full-page splash from issue #9 is a proud addition to my collection.

Sadly, I never had the pleasure of meeting Colan during my days gigging in the Personal Appearance Department at Marvel. It was only many years later that I met the man at a Big Apple Convention. I was actually working the show so was able to fawn all over the artist without fear of the show’s security escorting me out of the building.

I introduced Wondrous Audrey to Colan when she stopped by to see me, telling her how much I loved his work and showing her examples from the stack for sale on his table, which I forlornly flipped through, knowing I was in no position to buy anything. Not that his stuff was insanely priced—it was mind-staggeringly cheap, considering the source—but I had recently lost my job and could ill-afford to buy coverless copies of the individual comics whence the art came, never mind the art itself.

Imagine my delight and surprise, when I received a piece of classic Daredevil #34 art from The Wondrous One that Christmas. She’d purchased it right under my nose at the convention… sigh…

A few more years later I met Colan again at the second annual New York ComiCon. I was in a better position to purchase something but hadn’t brought enough cash or my checkbook. Fortunately, Colan was kind enough to agree to set aside the Howard the Duck Magazine page I wanted with the stipulation that I send him the check the week following the show.

He also offered to send me an autographed copy of the newly released—and gorgeous—Secrets and Shadows: The Art & Life of Gene Colan by TwoMorrows Publishing for twenty dollars (The book retails for $44.95!), which he would send with the artwork. he didn’t even ask for postage & handling, but I added additional money to cover those costs.

Despite failing health and increasingly poor eyesight—he was down to one working eye and that just barely—Colan continued to do commissions without a hint of his talent waning.

I think tonight I’ll read Secrets and Shadows.

Colan would’ve liked that.